Bg 10.28
āyudhānām ahaṁ vajraṁ dhenūnām asmi kāma-dhuk
prajanaś cāsmi kandarpaḥ sarpāṇām asmi vāsukiḥ
Bg 10.29
anantaś cāsmi nāgānāṁ varuṇo yādasām aham
pitṝṇām aryamā cāsmi yamaḥ saṁyamatām aham
Translation
28. Among weapons, I am the 'thunderbolt' ; among cows I am 'KAMADHUK' ; I am 'KANDARPA' , the cause for offspring; among serpents I am 'VASUKI. '
29. I am 'ANANTA' among NAGAS; I am 'VARUNA' among water deities; I am 'ARYAMA' among the ancestors; and I am 'YAMA' among controllers.
Commentary
OF WEAPONS, I AM THE THUNDERBOLT --- The weapon called 'Vajra' is an item in the divine artillery which can never be shattered. The Vedic legend explains how a great seer, Dadheechi, offered his own rib-bone for the construction of this secret weapon to annihilate a demon who was threatening to shatter the peace of the heavens.
OF COWS I AM KAMADHUK --- This strange animal called Kamadhuk, from which we can milk all our desires, whatever they be, is also one of the early by-products that rose up during the churning of the Milky-Ocean.
OF ALL THE CAUSES OF OFFSPRING, I AM KANDARPA --- Cupid, the god of love of the Indian concept, is conceived of as a mischievous boy, chubby and lively, ever carrying with himself his bow-of-smile, with five flower-tipped arrows, each meant to smother one sense-organ!! The suggestion is a biological truth. Procreation is not merely an animal act of insemination, or a vegetable-act of cross-pollination, but it is, according to the Science of Sex (Kama-shastra) in India, a fulfilment of all passionate urges that express themselves through all the sense organs. A philosopher is a perfect scientist and as such he has none of the false shyness, which is generally expressed by immoral people when they pose themselves as sandal-coated puritans. Vedantins and teachers, when they talk of sex-life, are as much brutally open as the professors are in a medical college.
Of all the causes of offspring, the Lord declares, "I AM CUPID," who in himself, as the lord of love, represents, in the field of sensuality, the total satisfaction of the physical, mental and intellectual sheaths in man.
OF SNAKES, I AM VASUKI --- The serpent 'Vasuki,' is described in our mythology as ever living on Shiva's ring-finger, as an adornment. Though small enough to become a ring on the finger of the Lord, it was the 'Vasuki' Serpent, who volunteered to serve as a rope in the churning process of the "milky-ocean." This naturally reminds one of the Upanishadic declarations, that the Truth is at once the "minutest of the minute," and "the greatest of the great." Naturally, it is very apt that the Lord declares Himself to be "Vasuki among the snakes." The term 'Sarpa' is to be rightly understood, in contrast with the Nagas, mentioned in the next stanza. Sarpas are single-hooded; while Nagas are multi-hooded.
CONTINUING IN THE TUNE, THE SINGER-DIVINE SINGS OF HIS OWN SONGFUL GLORY:
OF THE NAGAS I AM ANANTA --- "Nagas" means "the many-hooded serpents." Of them, the thousand-hooded Sesha Naga is the one that has been described as forming the "bed" for Lord Vishnu to recline in His "Yoga-sleep." Here Krishna only means that, among the many-hooded serpents, He is the mightiest and the most divine, because He is the very Substratum upon which Vishnu, the Sustainer, and Brahmaji, the Creator of the multiple world, recline and function.
OF THE WATER DEITIES I AM VARUNA --- ' Varuna' is a Vedic conception of the Spirit governing the waters, the third of the five great elements. Deifying the elemental forces in the phenomenal world, was the method of adoration and worship in the early Vedic period. It was only later, that we started the Pauranic-tradition of humanising gods and got into the muddy pool religious differences, sectarian prejudices, and credal warfare, between colonies of ignorant folks, gathered round a Jerusalem Master or a Vrindavana Boy, or a Mecca Messenger. Varuna is conceived of as a being, half-fish and half-man, almost something like Arnold's Merman! He is the Ruler of the Oceans and the Lord of the Waters.
OF THE PITRIS, I AM ARYAMA --- In Hinduism, death is one of the experiences in life when the subtle-body chooses to leave permanently its present residence within a given physical structure. The mind-intellect-equipment, maintaining a separate ego-centric concept in itself, continues its existence and it is commonly called 'departed soul' or 'ancestor.'
These 'departed souls' live together in a world of their own, called the "world-of-the manes" (Pitriloka). We have already discussed the Vedic concept of the six children of the twelve Adityas, each presiding over a month of the year. Of these, Aryama is the ruler of the world-of-the-ancestors.
OF THE CONTROLLERS, I AM YAMA --- "Yama" is the mythical Lord-of-Death, the Chief Messenger of the Annihilator. In India, we worship the terrible, the sad, and the tragic also, because, to us God is the Substratum for both the good and the bad, for the pleasant and the unpleasant. We are not satisfied by any theory of compromise by which we reject, in God, any association with what we do not like.
Whether we like it or not, the Principle-of-Death is the governing factor that controls and regulates life, and, at every moment, prepares a progressive field for creative developments everywhere. The childhood must die before youth can express itself. I must leave my high school in order to enter the college. Step by step, I must die in order to be born into the next step. Progress in itself is a partial picture of life; it is only a squint-eyed vision of life's total dynamism. Every development is preceded by prior destruction. Annihilation, thus contributing to positive progress, is called "Death's own creative art."
No new thing can be created unless correspondingly we also destroy that which existed before. We arrive at this assertive but logical conclusion when we sufficiently digest the observed physical law of the world that "no two things can ever remain at one and the same period of time occupying one and the same space." When a painter paints a flower, he not only pours his colour on to the canvas to paint his subject, but his creative art is a constant destruction of the surface coating that was earlier given to the canvas!
Thus, when life is viewed in its totality, there is as much importance for the "Principle-of-Death" as for the very "Principle-of-Creation."
But for Death functioning intelligently at almost the same speed as the rate of Creation, there would have been an inordinate flood of things in life; and life itself would have been choked by its own magnitude and number. If Death were not there, the great-great-great-grandfather of our great-great-great-grandfather might still be living, even now, in our own present two-roomed apartment! Even when there is a slight rise in population, the entire balance and political peace in the world get shattered. What will not happen, if Death were not as sincerely serving us as the Creator? Indeed, of all the Controllers, Death alone is the Chief and the analogy given here is irreplaceable and supremely apt.
Sources: vedabase.com; The Holy Geeta
āyudhānām ahaṁ vajraṁ dhenūnām asmi kāma-dhuk
prajanaś cāsmi kandarpaḥ sarpāṇām asmi vāsukiḥ
Bg 10.29
anantaś cāsmi nāgānāṁ varuṇo yādasām aham
pitṝṇām aryamā cāsmi yamaḥ saṁyamatām aham
Translation
28. Among weapons, I am the 'thunderbolt' ; among cows I am 'KAMADHUK' ; I am 'KANDARPA' , the cause for offspring; among serpents I am 'VASUKI. '
29. I am 'ANANTA' among NAGAS; I am 'VARUNA' among water deities; I am 'ARYAMA' among the ancestors; and I am 'YAMA' among controllers.
Commentary
OF WEAPONS, I AM THE THUNDERBOLT --- The weapon called 'Vajra' is an item in the divine artillery which can never be shattered. The Vedic legend explains how a great seer, Dadheechi, offered his own rib-bone for the construction of this secret weapon to annihilate a demon who was threatening to shatter the peace of the heavens.
OF COWS I AM KAMADHUK --- This strange animal called Kamadhuk, from which we can milk all our desires, whatever they be, is also one of the early by-products that rose up during the churning of the Milky-Ocean.
OF ALL THE CAUSES OF OFFSPRING, I AM KANDARPA --- Cupid, the god of love of the Indian concept, is conceived of as a mischievous boy, chubby and lively, ever carrying with himself his bow-of-smile, with five flower-tipped arrows, each meant to smother one sense-organ!! The suggestion is a biological truth. Procreation is not merely an animal act of insemination, or a vegetable-act of cross-pollination, but it is, according to the Science of Sex (Kama-shastra) in India, a fulfilment of all passionate urges that express themselves through all the sense organs. A philosopher is a perfect scientist and as such he has none of the false shyness, which is generally expressed by immoral people when they pose themselves as sandal-coated puritans. Vedantins and teachers, when they talk of sex-life, are as much brutally open as the professors are in a medical college.
Of all the causes of offspring, the Lord declares, "I AM CUPID," who in himself, as the lord of love, represents, in the field of sensuality, the total satisfaction of the physical, mental and intellectual sheaths in man.
OF SNAKES, I AM VASUKI --- The serpent 'Vasuki,' is described in our mythology as ever living on Shiva's ring-finger, as an adornment. Though small enough to become a ring on the finger of the Lord, it was the 'Vasuki' Serpent, who volunteered to serve as a rope in the churning process of the "milky-ocean." This naturally reminds one of the Upanishadic declarations, that the Truth is at once the "minutest of the minute," and "the greatest of the great." Naturally, it is very apt that the Lord declares Himself to be "Vasuki among the snakes." The term 'Sarpa' is to be rightly understood, in contrast with the Nagas, mentioned in the next stanza. Sarpas are single-hooded; while Nagas are multi-hooded.
CONTINUING IN THE TUNE, THE SINGER-DIVINE SINGS OF HIS OWN SONGFUL GLORY:
OF THE NAGAS I AM ANANTA --- "Nagas" means "the many-hooded serpents." Of them, the thousand-hooded Sesha Naga is the one that has been described as forming the "bed" for Lord Vishnu to recline in His "Yoga-sleep." Here Krishna only means that, among the many-hooded serpents, He is the mightiest and the most divine, because He is the very Substratum upon which Vishnu, the Sustainer, and Brahmaji, the Creator of the multiple world, recline and function.
OF THE WATER DEITIES I AM VARUNA --- ' Varuna' is a Vedic conception of the Spirit governing the waters, the third of the five great elements. Deifying the elemental forces in the phenomenal world, was the method of adoration and worship in the early Vedic period. It was only later, that we started the Pauranic-tradition of humanising gods and got into the muddy pool religious differences, sectarian prejudices, and credal warfare, between colonies of ignorant folks, gathered round a Jerusalem Master or a Vrindavana Boy, or a Mecca Messenger. Varuna is conceived of as a being, half-fish and half-man, almost something like Arnold's Merman! He is the Ruler of the Oceans and the Lord of the Waters.
OF THE PITRIS, I AM ARYAMA --- In Hinduism, death is one of the experiences in life when the subtle-body chooses to leave permanently its present residence within a given physical structure. The mind-intellect-equipment, maintaining a separate ego-centric concept in itself, continues its existence and it is commonly called 'departed soul' or 'ancestor.'
These 'departed souls' live together in a world of their own, called the "world-of-the manes" (Pitriloka). We have already discussed the Vedic concept of the six children of the twelve Adityas, each presiding over a month of the year. Of these, Aryama is the ruler of the world-of-the-ancestors.
OF THE CONTROLLERS, I AM YAMA --- "Yama" is the mythical Lord-of-Death, the Chief Messenger of the Annihilator. In India, we worship the terrible, the sad, and the tragic also, because, to us God is the Substratum for both the good and the bad, for the pleasant and the unpleasant. We are not satisfied by any theory of compromise by which we reject, in God, any association with what we do not like.
Whether we like it or not, the Principle-of-Death is the governing factor that controls and regulates life, and, at every moment, prepares a progressive field for creative developments everywhere. The childhood must die before youth can express itself. I must leave my high school in order to enter the college. Step by step, I must die in order to be born into the next step. Progress in itself is a partial picture of life; it is only a squint-eyed vision of life's total dynamism. Every development is preceded by prior destruction. Annihilation, thus contributing to positive progress, is called "Death's own creative art."
No new thing can be created unless correspondingly we also destroy that which existed before. We arrive at this assertive but logical conclusion when we sufficiently digest the observed physical law of the world that "no two things can ever remain at one and the same period of time occupying one and the same space." When a painter paints a flower, he not only pours his colour on to the canvas to paint his subject, but his creative art is a constant destruction of the surface coating that was earlier given to the canvas!
Thus, when life is viewed in its totality, there is as much importance for the "Principle-of-Death" as for the very "Principle-of-Creation."
But for Death functioning intelligently at almost the same speed as the rate of Creation, there would have been an inordinate flood of things in life; and life itself would have been choked by its own magnitude and number. If Death were not there, the great-great-great-grandfather of our great-great-great-grandfather might still be living, even now, in our own present two-roomed apartment! Even when there is a slight rise in population, the entire balance and political peace in the world get shattered. What will not happen, if Death were not as sincerely serving us as the Creator? Indeed, of all the Controllers, Death alone is the Chief and the analogy given here is irreplaceable and supremely apt.
Sources: vedabase.com; The Holy Geeta
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